The psychological horror game Imprinted has received a new developer walkthrough during IGN Fan Fest, offering a deeper look at how its audio-driven gameplay systems function ahead of its planned 2026 release on PC via Steam. This new video shifts the focus firmly to its core mechanics and creative intent rather than its initial reveal.

Presented by Filippo Beck Peccoz, longtime game composer and founder of Cobalt Lane, the walkthrough dives into the game’s simulated audio-engineering software, WaveSplice. The tool allows players to repair and reinterpret damaged recordings, with the showcased segment revolving around the recovery of a broken mix created by real-world musician Molly McPhaul. The video also teases a new and unsettling audio assignment, reinforcing how sound manipulation is tightly woven into both progression and narrative tension.
Notably, the walkthrough itself is framed from within the game’s fictional operating system, with Peccoz communicating directly through its in-world messaging software. This meta presentation mirrors how players will experience the story, reinforcing the sense that Imprinted’s interface is not just a menu system, but the primary lens through which the narrative unfolds.
Imprinted places players in the role of Vincent Brandt, an audio engineer tasked with restoring cassette tapes left behind by Viola Fossati, an experimental musician who vanished decades ago. As fragmented recordings are pieced together, the line between professional restoration work and psychological obsession begins to blur. The game unfolds inside a fabricated desktop environment, complete with emails, chat logs, proprietary software, and personal files that gradually expose both Vincent’s inner life and the mystery surrounding Fossati.
Beyond technical restoration, players are encouraged to creatively reinterpret audio fragments, influencing Vincent’s artistic output and emotional state. This interplay between forensic sound work and creative expression forms the backbone of the experience, positioning Imprinted as a slow-burning psychological thriller where audio is both the primary mechanic and the main storytelling device.
